
Adrian Burrell
God Don't Like Ugly, 2020
archival pigment print
60 x 40 in (152.4 x 101.6 cm)
Edition of 5
The Artist
Adrian Burrell (b. 1990, Oakland, CA) is an Oakland-based artist and storyteller, who utilizes photography, film, and site-specific installations to delve into the intricate intersections of race, class, gender, and...
Adrian Burrell (b. 1990, Oakland, CA) is an Oakland-based artist and storyteller, who utilizes photography, film, and site-specific installations to delve into the intricate intersections of race, class, gender, and intergenerational dynamics. His artistic lens converges on the exploration of kinship, diasporic narratives, and the nuanced relationship between place and belonging.
Adrian L. Burrell’s series 'It’s After the End of the World, Don’t You Know That Yet?', examines storefront murals and signage in Oakland during the pandemic. Delving into nuanced themes of legacy and family dynamics, Burrell skillfully crafts narratives about Bay Area life, transcending the personal to stimulate broader discussions on the underlying tensions and injustices prevalent in urban environments. In this series, Burrell presents captivating portraits of his grandmother, mother, and sister against the vibrant backdrop of Oakland's murals. This project serves as a compelling call to action, drawing on Burrell's personal experiences with police brutality and prompting contemplation on our collective history and the trajectory of our future. Beyond the individuals, Burrell's lens becomes a guardian of the visual dialogue unfolding within local communities, documenting the living walls that reflect collective activism and resilience.
Adrian L. Burrell’s series 'It’s After the End of the World, Don’t You Know That Yet?', examines storefront murals and signage in Oakland during the pandemic. Delving into nuanced themes of legacy and family dynamics, Burrell skillfully crafts narratives about Bay Area life, transcending the personal to stimulate broader discussions on the underlying tensions and injustices prevalent in urban environments. In this series, Burrell presents captivating portraits of his grandmother, mother, and sister against the vibrant backdrop of Oakland's murals. This project serves as a compelling call to action, drawing on Burrell's personal experiences with police brutality and prompting contemplation on our collective history and the trajectory of our future. Beyond the individuals, Burrell's lens becomes a guardian of the visual dialogue unfolding within local communities, documenting the living walls that reflect collective activism and resilience.
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