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Dr. David C. Driskell
Ancient Alphabets, 1990
encaustics and collage on paper
17 1/2 x 22 in (44.5 x 55.9 cm)
Copyright The Artist
Further images
Dr. David C. Driskell (b. 1931, Eatonton, GA, d. 2020, Hyattsville, MD) was a legendary African American artist and art historian. As an artist, scholar, and curator, he made substantial...
Dr. David C. Driskell (b. 1931, Eatonton, GA, d. 2020, Hyattsville, MD) was a legendary African American artist and art historian. As an artist, scholar, and curator, he made substantial contributions to these fields that have changed the way we think about American art. His paintings and collages unite a strong modernist impulse with his personal vision and memory. Driskell transformed iconic African art forms into honorific personal visions – flattened, decorated, and resurfaced in his signature style, color, and calligraphy - and melded these forms with Modernist aesthetics and the tradition of Western art. Driskell’s pioneering scholarship underpins the current field of African American art history. Among his most influential curatorial contributions is the exhibition and catalogue for the groundbreaking Two Centuries of Black American Art, which opened in 1976 at the Los Angeles County Museum of Art (LACMA) and traveled to museums across the country. In 1977, after having taught at Talladega College, Howard University, and Fisk University, Driskell joined the Department of Art at the University of Maryland where he remained until his retirement in 1998. The University of Maryland opened The David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora in 2001 to celebrate his legacy as an artist and art historian.
'Ancient Alphabets' showcases Driskell’s constant color scheme, despite his dynamic style and range of practices. Driskell transformed iconic African art forms into honorific personal visions – flattened, decorated, and resurfaced in his signature style, color, and calligraphy - and melded these forms with Modernist aesthetics and the tradition of Western art.
'Ancient Alphabets' showcases Driskell’s constant color scheme, despite his dynamic style and range of practices. Driskell transformed iconic African art forms into honorific personal visions – flattened, decorated, and resurfaced in his signature style, color, and calligraphy - and melded these forms with Modernist aesthetics and the tradition of Western art.
Provenance
The Estate of Dr. David C. DriskellExhibitions
Art Basel, Jenkins Johnson Gallery, Basel, Switzerland, 2023.DC Moore Gallery, New York, NY, 2019, Resonance: Paintings, 1965-2002, April 11, 2019 - June 8, 2019.
DC Moore Gallery, New York, NY, David Driskell. Creative Spirit: Five Decades, January 6, 2012 - February 4, 2012.
David C. Driskell Center, University of Maryland, College Park, MD, Creative Spirit: The Art of David C. Driskell, September 15, 2011 - December 16, 2011.
York College Art Galleries, York, PA,Recent Work: David C. Driskell, January 25, 2010 - February 26, 2010 .
The Schomburg Center for Research in Black Culture, New York, NY, The National Confrence of Artists Exhibition, April 12, 2001 - April 29, 2001.
Literature
Carrol, Angela. The Energy of a Moment in David Driskell's Exhibition 'Resonance' at DC Moore Gallery, BmoreArt, online, June 5, 2019, illus.Valentine, Victoria L. On View: See Images From David Driskell: Mystery of the Masks Exhibition Explores Recurring Symbol in Artist's Practice at DC Moore Gallery in New York, Culture Type, online, March 26, 2022, illus.
Yau, John. A Shape-Shifting Artist, 87 Years Young, Hyperallergic, online, April 28, 2019, illus.
David Driskell Resonance, Paintings 1965- 2002, Black Art in America, online, April 19, 2019, illus.
David Driskell's 'Resonance, Paintings 1965-2002 at DC Moore Gallery, New York, Blouin Artinfo, online, April 18, 2019, illus.
Publications
Recent Work: David C. Driskell. Exh. cat. York, PA: York College of Pennsylvania, 2010. illus.Creative Spirit: The Art of David C. Driskell. Exh. cat. College Parl, MD: David C. Driskell Center at the University of Maryland, 2011. p. 60, illus.
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