JoeSam.
Survivor, 2015
mixed media on board
19 1/2 x 26 in (49.5 x 66 cm)
Copyright The Artist
Further images
This piece was included as part of JoeSam.'s solo exhibition at the Museum of African Diaspora in San Francisco, 'JoeSam. Text Messages' which ran from September 27, 2023 - March...
This piece was included as part of JoeSam.'s solo exhibition at the Museum of African Diaspora in San Francisco, "JoeSam. Text Messages" which ran from September 27, 2023 - March 3, 2024. Much in JoeSam.'s signature style, the piece brings together a nonlinear cloud of associations pertaining to the state of Black consciousness in contemporary America. "Survivor" is chiefly concerned with the Charleston church shooting, where white supremacist Dylann Roof attacked the Emanuel African Methodist Episcopal Church, the oldest black church in the Southern United States, founded in 1816. JoeSam.'s piece commemorates the nine victims as one wounded survivor, the number "nine" invoked throughout the piece along with the names of those individuals, and one survivor leaning against them at the bottom of the composition.
JoeSam. (b. 1938—d. 2024) was a contemporary mixed media painter and installation artist. His colorful compositions contain found materials from the streets of California. Juxtaposing discarded elements such as bicycle wheels, cigarettes, plastic pipes and wooden blocks with archival images and news clippings, discordant colors in large capital letters strewn across the canvas provide context clues to the message he wishes to convey. His works are political commentary on the continuous state of affairs in the Black community. Incited by the Jonestown Massacre of 1978 in which hundreds of African Americans were poisoned by cult leader Jim Jones, to the observation of the Black body on the auction block, to the Rodney King beating by the LAPD, to the Charleston shooting in which three men and six women were murdered at Emmanuel African Methodist Episcopal Church, JoeSam. has referenced these events without calling the trauma or bloodshed to our collective memory.
While a student at Columbia, he facilitated educational seminars for public school teachers and at the Floyd Patterson House in the East Village, a residential treatment facility for juvenile offenders. In 1976, committed to youth education and empowerment, JoeSam. was hired as director of the Head Start program for the City of San Francisco, California. While working full time, JoeSam. began the Black West Series and the Black Jazz Series. In 1985 he received a grant from the National Endowment for the Arts and retired from education to be a full-time artist. JoeSam. was named an artist-in-residence at San Francisco’s Learning through Education in the Arts Project (LEAP) in 1987. In 1999, he became a Djerassi Artist-in-Residence in Woodside, California and was awarded the Compton Foundation Fellowship. He executed commissioned artworks for several institutions including the San Francisco Mission Police Station Juvenile Facility, the Los Angeles County Metropolitan Transportation Authority Rosa Parks Metro Rail Station, and the Sharks Ice Center in San Jose, California.
JoeSam. (b. 1938—d. 2024) was a contemporary mixed media painter and installation artist. His colorful compositions contain found materials from the streets of California. Juxtaposing discarded elements such as bicycle wheels, cigarettes, plastic pipes and wooden blocks with archival images and news clippings, discordant colors in large capital letters strewn across the canvas provide context clues to the message he wishes to convey. His works are political commentary on the continuous state of affairs in the Black community. Incited by the Jonestown Massacre of 1978 in which hundreds of African Americans were poisoned by cult leader Jim Jones, to the observation of the Black body on the auction block, to the Rodney King beating by the LAPD, to the Charleston shooting in which three men and six women were murdered at Emmanuel African Methodist Episcopal Church, JoeSam. has referenced these events without calling the trauma or bloodshed to our collective memory.
While a student at Columbia, he facilitated educational seminars for public school teachers and at the Floyd Patterson House in the East Village, a residential treatment facility for juvenile offenders. In 1976, committed to youth education and empowerment, JoeSam. was hired as director of the Head Start program for the City of San Francisco, California. While working full time, JoeSam. began the Black West Series and the Black Jazz Series. In 1985 he received a grant from the National Endowment for the Arts and retired from education to be a full-time artist. JoeSam. was named an artist-in-residence at San Francisco’s Learning through Education in the Arts Project (LEAP) in 1987. In 1999, he became a Djerassi Artist-in-Residence in Woodside, California and was awarded the Compton Foundation Fellowship. He executed commissioned artworks for several institutions including the San Francisco Mission Police Station Juvenile Facility, the Los Angeles County Metropolitan Transportation Authority Rosa Parks Metro Rail Station, and the Sharks Ice Center in San Jose, California.
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